The Wayfarer Tunic

I don’t have a good track record with making sweaters for myself. They tend to be too large and shapeless and were therefore quickly abandoned. This sweater changed all of that.

I saw the pattern in the Spring 2017 edition of Ply Magazine, the Down-like issue. It’s a tunic, looked like an easy knit, and I simply loved the look of it.

As Spinzilla approached, I decided to knit for a project – and spinning for this sweater was just the motivation. I had 650 grams of beautifully carded rovings from a local sheep named Daisy just waiting for a project – and nothing like a spinning contest to get the job done.

First however, I made a swatch. Yes, a swatch. I wanted to see if my default (the easiest to spin) long draw two-ply yarn, could fit the pattern requirements. No need going into Spinzilla having to significantly modify my spinning practices. It’s like changing your running gait during the marathon. Not. Going. To. Happen.

So I quickly made some yarn using the same spinning (long draw) that I’d use during Spinzilla. It was a good choice for this wool. It was a carded preparation, short stapled fibre. Daisy is a true mixed breed sheep: 1/2 North Country Cheviot, 1/4 Suffolk, 1/4 Romney/Dorset/Karakul. I wanted a light, lofty yarn that had a bit of strength. Seems like contrasting purposes, but it is what I wanted/needed for this sweater. It also had to end up, after washing, at 10 wraps per inch.

I got it. Knit up a swatch, washed and bashed it and liked the resulting fabric.

When Spinzilla began on October 2, I spun Daisy until the bag was empty. This happened sooner than I thought so I had to find other things to spin to finish out the week. I plied all my singles on Saturday morning and kept spinning because I still had another day left of the contest.

Monday was a holiday and a lovely day here in Glen Valley. So I was able to wash my newly spun yarn and get it ready for knitting. I ended up with 1,062 yards of Daisy. The pattern called for 1,200. I decided not to worry about it. I had a Plan B. If I ran out of yarn, I’d use a different one for the patterned hemline, cuff and collar.

I had a busy work week and then another knitting deadline to meet, so I didn’t get the sweater started until October 16. Once I did it knit up quickly. On size 5.5mm needles, knit from the top down, it goes fast. I am not a fast knitter. But I am steady and knit every chance I get.

I finished it on Saturday, October 28. Wove in the ends and washed it. And I had about 100 yards of yarn to spare.

Thanks to a sunny Sunday, was able to do a photo shoot on the first wearing of the Wayfarer Tunic.

It had a loose look and feel to it, but as I wore it it grew in length. It wasn’t until I was handling the swatch that I realized what was going on. In the swatch, I really washed and bashed it so the yarn fulled. It was a dense, yet still soft fabric. The sweater is so large I had a hard time really bashing it around, so it was not fulled at all and it was stretching with each wear.

So I tossed it in the washing machine on the hand wash cycle to get it to full. It worked. The fabric fulled, it got smaller and now fits perfectly. There was a tense moment when it came out of the wash. But fortune favours the brave and I got the result I was hoping for.

It’s a great pattern. Good, simple instructions. I’d knit another in a hearbeat.

Spinzilla 2017 – it’s a wrap

Spinzilla ended Sunday, October 8th at 11:59:59pm. It ended for me at 10:40pm.

It was a good week of finding ways to fit spinning into my life. I worked all week so had to find time in the morning and evenings to spin. And, when I could, I spun at work. On Tuesday, I had my wheel with me because I was heading to the Team Sweet Georgia spin-in that evening. I brought my wheel into my office and spun a bit during a department conference call – about twenty minutes. Other times, I had my Jenkins Turkish spindle with me and spun during phone calls and over lunch hour.

My plan was to spin the entire bag of “Daisy”. Daisy is a sheep owned by a fellow guild member -1/2 north country Cheviot, 1/4 Suffolk, 1/4 Romney Dorset Karakul. Quite a variety and lovely, lovely wool. Last November, I bought a large bag of Daisy carded up into inviting rovings and had plans to spin it for a sweater. Perfect task for Spinzilla. I really thought that would take my entire week, so I didn’t have much of a back-up plan. Fortunately I have a bit of a stash so when I finished spinning Daisy on Friday evening and plied it up on Saturday morning, I spun up some Clun Forest I bought from my neighbour.

On Sunday evening at 7pm, after plying all the Clun Forest, I still felt like spinning. I had about 7grams of spun fibre on my Turkish spindle so grabbed the bag of that fibre, (Shetland 70%; Silk 30%) and finished spinning all that up while I watched two episodes of Shetland. Fitting isn’t it? It spun quickly due to an excellent fibre prep and silk. And I plied it while I watched Scott and Bailey.

All in all I had 6 bobbins of Daisy, 3 of Clun Forest, 1 Shetland/silk, and small bobbin of Turquiose Perendale/silk I spun at the spin-in after I spun up all the Daisy I bought with me. That all measured out to be 1,683 yards of 2-ply yarn, which translates into 5,049 yards of spinning for Team Sweet Georgia.

I’m happy with this result. I managed to spin a decent amount and I stayed sane. I didn’t stress myself out with trying to spin, spin, spin. I relaxed, went running on my days off. Did errands, and prepared an entire Thanksgiving Dinner.

I’m extra happy because I have all Daisy spun up and enough of it for a sweater – 1,100 yards. The Clun Forest is going to be added to the Clun Forest I spun for the last Spinzilla, dyed and woven into a shawl/blanket.

I love Spinzilla. It forces me to focus exclusively on spinning, and while it is only a week long, that is long enough to get a significant amount of yarn made. I also love it because it brings a community of spinners together, the members of our Team Sweet Georgia, and also other spinners from all around the world spinning for this competition. While there are team prizes for the most spun, and individual prizes for the same, I like to think about the grand total that all the teams are creating. Can we beat the total we reached last year, and if so, by how much?

So that’s ones in the books. What’s next?

(Photo on top is all skeins washed and drying in the Monday sunshine.)

Spinzilla 2017 – day 1

(Photo above is yarn spun for Spinzilla 2016)

Spinzilla – the monster of a spinning contest, started in 2013. Since then it has grown in size in terms of the number of teams participating and the number of miles (kilometres) spun. It is a fun, wild week.

I have participated every year it has been held – spinning for Team Sweet Georgia. Over time I have learned some things that have made my spinning week more pleasurable. And here they are:

  1. Spin for a project: this is a great time to spin up a huge amount of yarn. So if you have been wanting to spin up for a sweater or to weave a blanket, now is the time. This year I am spinning for a sweater I want to knit. It’s in the Down issue of Ply Magazine. It is a good time to get it all done, and to ensure that it’s the same weight and grist.
  2. Add some fun, wild spinning moments into the marathon of project spinning. Last year, I spun for a weaving project. It was grey Romney, yards and yards and yards of it. After a few days of that, I took a break and spun a two-ply thick and thin yarn. It was only 100 yards or so, but it also only took 1 1/2 hours and gave me such joy to be doing something with colour and something different with my fingers.
  3. Spin on days 1 – 5 and ply on day 6 and 7. Or some variation on that theme. I learned that my yarn benefits from sitting a bit. The twist relaxes and this makes plying a bit easier. This means you have to have a lot of bobbins, but it’s a good excuse to get more. Or borrow some from non-Spinzilla spinning friends.
  4. Skein and measure yarn when Spinzilla is over. As curious as I am about how much yarn I’ve made, taking the time to skein and measure is time away from spinning. So unless you desperately need those bobbins, don’t waste time on it. You will have time after the event is over, a couple of days, to skein and measure.
  5. Have fun. Seriously, everyone says it, I say it.  And then I put my head down to my spinning and get all competitive and lose track of things. Feel resentful when I have to work, make dinner or do anything else beyond spinning. It’s taken a few years, but I’ve come to the conclusion that I enjoy this more when I re-focus the competition. For me this is about how much yarn I can make in spite of the busy life I lead as a woman in the twenty-first century working full-time and involved in my community.

So this morning I was up at my regular time – 6am. Got a cup of coffee, took a few sips and then sat down at my Ashford Traditional to spin some lovely wool into a sweater. Just starting the day spinning is the thing that makes this competition worth while.

And now I have to get down to work and move away from the wheel. So enjoy the week, enjoy the attention spinning is going to get this week and the role you will play in drawing attention to the wonderful activity of making yarn.

Happy spinning!

An Exploration of the Desire to Make: Keynote for Olds College Fibre Week 2017

My name is Diana Twiss. I live in north east Langley in a one-hundred-year-old farmhouse on the Fraser River. For the last twenty-two years, I have worked full-time in the world of adult literacy and learning. This work takes me into the cities of Vancouver and North Vancouver. My commute takes an average of 3 hours a day four days a week. I knit on the bus and train as often as I can.

I started spinning in January 2000, and it saved me. That may sound dramatic, but looking back on where I was and where I was heading, it really did.

This is my story.

For as long as I can remember, I have identified with the behaviours similar to those of an artist. I draw, paint, colour, and design. I benefit from visuals and easily create them as a way to express myself.

But I never called myself an artist. In fact, I spent years calling myself a “wannabe” artist and once I fell down the rabbit hole of fibre arts, I called myself a “wannabe” fibre artist.

Leading up to the year 2000, I wasn’t well. I was working full-time teaching, mothering a crew of three dynamic children, maintaining a marriage (it’s a good marriage, but like any, needs attention), reconstructing the homestead site we lived on to reflect the heritage designation and doing nothing, absolutely nothing for myself. I didn’t have time, energy or mental space to draw or paint like I used to. My creativity leaked out in the clothes I sewed for my children, sweaters I knit and gardens we built.

I was usually a patient, loving person. Easy to laugh and optimistic. But I started feeling more negative about things, more gloom and doom, less optimistic, less patient and easy to anger. Every day was a struggle.

In my early years, I had spent hours a day doing art. I studied studio art in London, Ontario for two years before switching to the University of Guelph to complete a degree in fine art. While I loved my time in the studio, devoting myself entirely to painting or drawing, I never truly identified with the other student artists who were aiming to have studio shows and to sell their works in the Toronto galleries.  I was drawn to William Morris and the British Arts and Crafts movement, seeing how art, design, and beautiful, well-considered craftsmanship had been brought into the everyday. Functional art.  Fast forward fifteen years, a teaching career, three children, chickens, dogs and cats, and those ideas started to fade – and the sad, mad, and tired person took over.

One of my only creative outlets was knitting, and it was increasingly difficult to get natural fibre yarns at an affordable price. Reading the local newspaper (Langley Advance) I saw a small ad for the Langley Weavers and Spinners Guild and a phone number. I called the number. And the following month, I attended my first meeting.

I’ll never forget that evening. In a room full of women, mostly knitting and talking about spinning and weaving, there was a business meeting. And then there was an educational program. It was a slide show featuring the work of a local painter, focussing on her design elements and colour work. WOW.

A room full of grownups. Talking about art. Talking about art like it mattered, like it was something important and valuable. Something inside of me stirred and woke up.

I wasn’t alone.

I realized that evening, that somewhere along the line I started losing myself. And the first part of myself that I had let go was the artist in me. I had somehow accepted the message that doing art was a frivolity, it was an extra, if you had time and resources, a hobby. Other things were much more important.

But that wasn’t true. It was only after I climbed out of that dark time that I realized how dark things were.

When you have a creative spirit, you must honour and feed that creative spirit or it gets sick and withers, and eventually dies. Feeding a creative spirit is not a frivolous activity any more than exercising regularly and eating well are not considered frivolous (only-do-it-if-you-have-time) activities.

It is not optional.

That is why, for so many of us, the concept of “passion”, “having a love affair”, and “falling in love”, come up in the descriptions of our fibre work. We have deep and intense connections to our crafts. The desire to create is strong. And words like obsession, addiction, enabler are all regulars in our lexicon. These are important things to pay attention to.

In my guild (the Langley Weavers and Spinners Guild) there is a surprising number of young women, with young families who have recently joined. I am inspired by their work and their passion, and also reminded about that time – when I had very young children and great demands on my physical and emotional energy. I see the way they struggle to carve out time to create, and the amazing result that ensue.

They are doing it because they need to create to stay sane. To keep a balance in their lives.

When we engage in creative pursuits, are entire brains are activated in the activity. That is why it is so satisfying an experience. Three of the major networks in our brain are activated:

Source: http://www.udlcenter.org/aboutudl/udlguidelines_theorypractice

The affective network – where our motivation and emotional desire to create exist and are maintained.

The recognition network – where the background knowledge, the stuff of what we are learning sits, as we add new knowledge, new experiences, this area gets activated

And the strategic network – the part of the brain that looks after the things we call “executive function”.  This is where strategic planning, designing, making decisions, setting goals exist.

You can see that for any project we embark upon, each part of our brain is fully activated. This leads to an increase in the production of wonderful mood enhancing neurotransmitters such as dopamine and serotonin.

This is why the desire to create is so strong and if not maintained, we simply don’t feel right. Our dopamine and serotonin levels take a hit and we start feeling low.

So do what you need to do to keep your spirits high. And remember, feeding a creative spirit is not optional. It is not simply recreation. It is essential to keeping you mentally strong. It is a vital thing we do to honour the creative spirit that exists in all of us.

Thank you and have a wonderful week at Olds.

 

 

 

 

 

 

Lupine Forest – experiment #2

Welcome to 2017. Here’s a blog post that’s been sitting in my drafts for a while waiting for some photos to attach to it. Finally, I finished it.

A while back I wrote about working with this colourway – Lupine Forest from Kinfolk Yarn and Fibre. I liked the result, but also felt that the purples, the Lupine buds, were lost in the yarn. So I decided to try spinning it differently so that I could try to get the purple buds to POP.

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I spun it on a drop spindle because I made this spinning decision at a guild demonstration where I only brought my spindles. I’d never really tried to spin thick and thin on a spindle, but I am always up for a challenge and the chance to learn new things. I hate making mistakes, which may surprise you for the number of mistakes I make, but once I get over the ego-bruising of a mistake, I have always learned something valuable.

Below is the result. Notice that the purple pieces are thicker than the other colours.

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And here is is next to ball of varigated greens that it was plied with.

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I plied it on my wheel. I wanted to try different plying techniques that I have only learned and practiced on my wheel, so comfort was the key to confidence. First I tried differential tension with the plying that you can see along the bottom right of this skein. I didn’t think I wanted that. Then in a fit of enthusiasm, I made a couple of super coils. I didn’t think that would work with the knitting pattern and plan that I wanted to compare it to, so I continued with straight on plying.

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And here’s the final yarn. The purple pops, and when knitted up into half-mitts it popped a bit. Not as much as I thought it would. So there’s a message to those who think their uneven yarn won’t look nice.

And here it is knit up into my Simple Lines pattern. The purple bits did exactly what I wanted them to do.

And here’s a close-up. I love the texture it brings to the mitts.

And I continued the experiment by doing the thick purple parts and this time plying it with variegated brown instead of with green. I haven’t knit it up yet, but it’s a good example of the many yarns you can make from one painted braid.

Happy Spinning!

Weaving project #3: a couch blanket

The third weaving project was one that I had in mind for months. At Olds College Fibre Week I purchased some dark grey and light grey rovings from a local producer. It wasn’t super soft, but it was beautiful greys. I spun them up (woolen) and when I lined them up next to the white yarn I made in Spinzilla 2015 – I new my dream for a blanket was going to be realized.

I planned to use the full width of the loom and to do a kind of checked pattern – 20 dark grey; 20 light grey; 20 white, and to weave it with the same pattern. But at the last minute, I decided to add a shot of red yarn to the pattern. So the threading became 18 dark grey; 18 light grey; 18 white, 6 red.

I was so excited to get this started that for a while I lost my mind weaving smarts. I couldn’t work at the desk in my studio because my youngest daughter was using the entire space as a study to finish up her final papers and study for university exams.

So I set myself up on the landing – it’s a large space and I believed it would be perfect for making the warp. Except for the fact that it didn’t have any solid heavy tables that I learned, serve an important function when making the warp. Tension. It holds the tension that is created when you are pulling the yarns through the reed and wrapping them around a warping peg on the other side of the room.

I also learned the hard way that the clamps they provide you with in the kit serve a function. They aren’t optional. And I also learned that when your loom starts to tilt and move towards the warping peg, threatening the length of future warp threads, duct tape won’t hold it in place. There were a few other rookie mistakes I made in the process of making the warp for this blanket, but that’s enough for now. I promise, I won’t be making them again, so no reason to re-live the humiliation.

Once I got the loom fully dressed and ready to weave, the weaving went well. The 100% wool handspun had a tendency to stick to each other sometimes, so I had to be careful when lifting or lowering the reed, that the correct threads were moving.

Here’s a a close-up of the fabric being made. I gently beat each strand into place, leaving as much space as the width of the strand itself.

Here is a shot of it right off the loom. 60″ x 30″. I had hoped it would be longer, but my bungles with the warping process is what reduced the length.

And here it is after it has been washed, bashed and dried in the dryer for 10 minutes. The yarn fulled and filled in the spaces, but because I kept the beat light, it is still very soft and has a lovely drape. The final measurements are 49″ x 25″.

I am officially hooked as a weaver. All I can think about is what is next?

Weaving project #2

Project notes:  The warp is polwarth and silk from a colourway called Eden. The weft is SW merino, cashmere and nylon in a colourway called Temptress. Fibre from both came from the Sweet Georgia Yarns Fibre Club.

Here it is on the 32″ Ashford Rigid Heddle loom. It was easy to weave, the colour changes that naturally occurred from the variegated yarn created interest. I did have a difficult time keeping the beat soft. The yarn wanted to snug tightly against the yarn in the previous row.

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And here it is off the loom, before I washed it. At this time it measured 71″ x 18″.

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Here’s a closeup of the fabric after I washed it. Everything shrunk and fulled a wee bit, filling in the spaces. It is soft and has a lovely drape. Final measurements are 61″ x 14.5″. That’s a lot of shrinkage, but that’s the way it goes in weaving I guess. (Measurement doesn’t include the 5″ twisted fringe on each end.)

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A new fibre adventure: rigid heddle weaving

I love making yarn. That is one of my all-time passions. I love preparing fibre, strategizing how to manage colours, and playing with texture in my yarns. As a result of this passion, I have a lot of handspun yarn. A. Lot. Of. Yarn.

I’m not the most prolific knitter because when given the choice, I choose to spin. So my knitting is limited to my commuting time and some evenings in front of the TV.

A while back I decided that a way to use up my yarn was to start weaving. So I got myself a 4-harness floor-loom. I wove a scarf. Yay, I used up an entire skein of handspun. And then it sat. It sat for so long I forgot how to dress it again. And how to make a warp. And all the other bits that made sense when I did it the first time, put which flew right out of my head after the job was done.

So the handspun continued to add up. A few good years spinning during Spinzilla only added to the handspun stash. I decided I needed to get a bit more serious about this weaving thing, and then stumbled upon the rigid heddle loom.

The rigid heddle loom – the answer to my desire to have a weaving adventure. I called a fellow guild member who had showed her amazing handwoven/handspun shawls at our guild meeting and chatted her up about her loom and her approach. She has a 32″ Ashford rigid heddle loom and takes a Saori approach to her weaving.

I ordered one and it arrived within days of putting in the order. I sealed the wood and assembled it on Saturday morning. Saturday early evening I was making the warp and dressing the loom. Here’s the photo essay of my adventure.

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Making the warp and sleying the reed. It was dead easy and fast.

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Tying it onto the front beam.??????????????

Another view of the tie-up.

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Weaving that I completed by bedtime on Saturday. I wove about 24′.

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And here it is, off the loom at about 3pm on Sunday. Before I washed it, it was 67″ x 28″

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I’ve washed it and it shrunk a bit. I still have to decide how I want to finish the fringes. So final photos will have to wait until I get to that on the weekend.

This was not made with my handspun, it was a bunch of commercial yarn from my stash. I wanted to practice with this before I dove into my handspun stash.  That will also happen this weekend.

Happy weaving!

Spinzilla 2016 — 4,661 yards (4,262 metres)

Last week I participated in my fourth Spinzilla event. Spinzilla is a monster of a spinning contest that lasts an entire week. Starting at 12:01am on Monday, October 3 and ending at 11:59pm on October 9, teams of as many as 25 spinners spin like mad and submit their yardage to their team captains. It’s all done on the honour system – anyone who lies about their yardage will be plagued with snapped drive bands and shattered spindles.

Much to my surprise I am a very competitive person about some things – seems that a spinning contest is one of them. So for the first three years of the contest I worked harder and harder to spin as much as possible. Even booking three days off work last year so I could maximize my spinning time. I was rewarded in year 3 with a spinning total of 8,672 yards. That’s nearly 5 miles of spinning.

This year I just couldn’t do it. I couldn’t take the time from work so my spinning from Monday to Thursday was limited to lunch hour spindling and wheel spinning in the evenings. As I have an early start to my day, I couldn’t stay up late or get up too much earlier to get in some spinning.

So I resigned myself to simply doing my very best with the time I did have, and not to fret about what I couldn’t get done. Here’s the photo story.

I started Spinzilla spinning some lovely grey Romney/Crossbreed fibre that I washed and combed over the summer. My aim is to make a fingering weight yarn for a friend’s weaving project. By Thursday evening I was tired of spinning fine and grey, so I switched it up, grabbed a bag of Mardi Gras by Kinfolk Yarn and Fibre. I took this lovely yarn and spun a two-ply thick and thin yarn. It only took about two hours to do both bobbins. Spinning slubs really chews into the fibre. It wasn’t going to give me a lot of yardage, but it was such a treat to make that yarn and play with colour and texture for a while.  Here’s a photo of what I had spun by Friday morning.

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On Friday I finished spinning all the grey I had prepped and started plying.

On Saturday I pulled out some Clun Forest roving from my neighbour. Talk about 100-mile wear – this yarn is from sheep living one mile away. I spun this woollen — using a long backwards draw. Here’s the first bobbin.

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And I spun for most of Saturday, in between making vegan cabbage rolls, pumpkin pie and apple crumble for Thanksgiving dinner. This is what I had by the end of the day.

On Sunday, I plied all the singles I made. Spun a bit more to finish up a bobbin and plied that in between stuffing and roasting a turkey and getting other items for the meal prepared and eaten!  By 9pm I was done. Really done. Unlike last year where I stayed up right until the last minute wildly plying hyper-energized singles into a three-ply yarn, I was ready to pack up my wheel. And so I did.

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Here’s my total production for the week. Eight skeins of two-ply yarn and two mini-skeins of singles yarn from my spindles for a total of 4,661 yards.

It’s a decent amount of yarn. Yarn that I am very happy with and have plans for. It was a good week.

Yosemite Colourway: Managing Colours

After my self-proclaimed success pleasant experience with the Lupine Forest colourway, I decided that I needed to stretch myself right out of my comfort zone: colourwise. So when I visited the Peace Arch Weavers and Spinners Guild annual Spin-In a few weekends ago, (where there are VENDORS so you can BUY FIBRE) I came away with four additional colourways from my newly discovered local dyer Kinfolk Yarn and Fibre. One of them was Yosemite (on Organic Polwarth), fraught with primary colours and all the secondary colours but purple. Take note of that.

Here it is on display just hours after I bought it. I met my husband for lunch and simply couldn’t leave it in the car. I had to look at it and start studying it because it scared me. Okay, scared is too strong a word, but was not sure how to work with it. What scared me about it? All the strong contrasting colours. What would they look like plied against each other. Would it be a muted yarn with all the intensity of the colours washed out from the balancing that comes from putting complementary colours next to each other?

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When I approach spinning these lovely dyed braids, I pull them apart and try to line them up so I can see the colours and the colour repeats. Given this, see below, I initially thought about making a 4-ply yarn. There are eight repeats that could work. But I don’t have a lazy kate that holds 4 bobbins (weak excuse I know).  Seriously, I wanted the colours to be strong so the singles needed to be thicker than I normally spin. If I made a 4-ply yarn I’d have a bulky yarn and that wasn’t what I wanted, at this point anyway.

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I decided to make a 3-ply yarn and spin the singles a bit thicker than I normally do. That way the colour intensity would prevail. I divided the roving in three equal lengths. I further divided those rovings into 2 parts, 4 parts, and 8 parts – width wise, as seen in the wee balls below ready for spinning.

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I first spun the balls of four onto bobbin one, and then spun another bobbin with the balls of eight sections. After further reflection I decided that wanted the yarn to be a “wildly dancing fractal yarn” so I needed to further divide it. Thus the bobbin that was to have a roving split only into two sections was divided into 16. Yes, 16. That was challenging, but it promised no long lengths of any one colour.

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This yarn was spun and plied all in the same day. Not because that is the best approach, but because I was impatient to see the result. And here it is. The mini-skein to the right is what was left of the two of the bobbins (the four and the eight).

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I love this yarn. I love the way all the colours come out and are fully present. I didn’t spin it fine, so optical mixing doesn’t have as great a chance to occur, With the thicker singles, the colour is strong. Even though I love it, I am also cautious, because I have had experience with yarn that I loved in the skein and hated once knitted and vice versa.

For now I admire it and make plans for it. A cowl, a pair of mitts and a hat? A scarf? Or another lovely skein that I pet and admire.