Monthly Archives: April 2022

A Mitt is a Swatch: Article for PLY magazine

In the Winter 2021 issue 35 of PLY magazine, I have an article called, A Mitt is a Swatch. Here are some photographs that support my article, in particular the pieces that didn’t make the cut.

Starting with blending board experiments, I made these rolags. I made two blending boards, trying to make them the same so once spun up, I could have about 70 grams of yarn.

And here it is in spinning progress. Singles spun on my Ashford Joy.

I made a two-ply yarn and then knit it into a wee swatch to see it better. Yes, I like this.

And here’s the mitt, with a bit of leftover rolag so I could show what it’s made up of; some leftover yarn, and the first small swatch. I call it a quick mitt because I didn’t include the thumbs – which take an additional 30 – 40 minutes to make (including having to weave in four extra ends.)

The mitt shows me much better what the yarn looks like; will eventually show me how the yarn will perform; and finally gives me a functional and beautiful (if I don’t mind saying so myself) object.

A mitten is a swatch – to read the entire article get a copy of PLY Magazine Winter 2021 Issue #35 (the Head and Hands Issue). It’s worth it.


Before and after – full spindles, naked spindles

One of the things I like to do when I am spinning on spindles, is to select a bunch of them to explore. I have a strong desire to learn as much about support spindles as I can, and my spinning time is limited. At this stage of my spinning journey with these new (to me) tools, I am not overly fussy about the yarn, so I will happily combine support and suspended spindles into my explorations.

In the photo below, there are three cross-piece (suspended) spindles AKA Turkish spindles along the top; and in the next row a suspended spindle by Eric Stapleton; and support spindles by Texas Jeans, CreativeJayne (the next two); can’t remember the maker of the dark wood Phang; and the last one is by Carry Cherry. The last four spindles I purchased online, only viewing photos and hoping for the best. These did not disappoint. They are a variety of weights and shapes. I move from one spindle to the next as determined by my attention span, temperament, and interest in the task at hand.

The fibre I’m spinning is mostly wool with some silk/yak made into rolags on my blending board.

I will spin on one spindle for a day or so, and then switch to another one. And so on. Doing this allows me to compare the spindles, the amount of energy it takes to get the spindle into motion, the amount of time it holds a spin (or doesn’t); and how the weight feels and affects my hands. When my hands, mostly my right thumb, gets sore, I stop. I take a break, wash the dishes – warm water helps soothe the sore muscle. And then a few hours or days later depending on how sore my thumb is, I start again with a different spindle.

With each spindle I am learning new things; new strategies for winding a cop or turtle; new techniques for keeping the spindle in motion; and with the support spindles, I am also exploring the different styles and materials used in the spinning bowls. It really is a rabbit hole of things to explore; spindles, fibre preps, spinning bowls, and then of course, techniques.

In the photo below I show (all but cross-piece) spindles without the yarn on them, so you can see their shape. I wouldn’t say that each spindle was full – but they were mostly full enough for me. As you make and store the yarn onto your spindle, it adds weight to the spindle. The process of winding the newly spun yarn onto the spindle is called building your cop. The cop is the name of the stored yarn. Even that part of the process takes skill and decision making.

So with each spindle I’m learning, reflecting, and mostly enjoying the process of making yarn with a stick. Working with several at a time gives me a chance to do instant comparisons and over time, I’ve learned what my favourite shapes, weights, and lengths are.

More to come about that.